I started working on some book cover practice yesterday and got sucked in so I missed my last writing block.
I did a lot of thinking yesterday about some decisions I needed to make about covers. I’ve hired out the latest cover for one of my series. I’m so ambivalent about having done that that it’s driving me crazy. I committed, though, and I’m going to see it through.
The plan was to get the one cover, decide if I was ready to use it, then order the entire series redesigned. But the cover didn’t fit the book. It did, however, seem well-suited to the next one. So I had to decide if I wanted to commit to double the cost for two covers. In the end, I decided to go ahead. So I’ve actually commissioned two covers in that series at this point.
I probably shouldn’t have, because I’m still not sure I’m actually going to use the covers. But I want to use them. And how does that make sense, huh?
I think it’s because: (1) I like being in complete control of my publishing schedule. I can’t quite do that if I have someone else responsible for the covers; (2) I have certain expectations for how all of my covers work together and getting something from the designer means either I have to be very specific about my wants (maybe too specific to be easy to work with) or I’ll have to redo all my other covers to consolidate the branding. I’ve already run into a few issues, changed my mind about something, and now am not sure the designer is going to deliver something I’m going to be satisfied with.
In the end, I’ll just consider it a learning expense if that happens and I’ll use my own covers. (Let me be clear: the cover draft I’ve seen from the designer is great. That’s not the kind of satisfaction I’m talking about above.)
Just last night I was reminded of something I’ve said I believed (but maybe didn’t really believe, because I actually found myself surprised). I asked for and received some feedback on a few of my own covers (all variations for the same book) and surprise, surprise, it wasn’t the one that looked the most professional to me that got called the most eye-catching. That surprised me, to be honest. I thought one cover in particular was much stronger than the others, and one was much weaker, and yet the comments didn’t bear out my expectations.
And then I asked myself: why not?
I’ve said several times that once you get a certain level of decent with a cover, it doesn’t usually pay to keep trying to make it better, because it won’t really make much of a difference. I mean, yes, I do believe there are certain covers that just have something special that can attract a large quantity of people, but those are kind of like books: they happen by chance, they have a certain spark that can’t really be analyzed and recreated except on superficial levels. Then you hope for the best.
The only thing important after reaching “good enough to catch someone’s eye” is to signal to the right readers what’s waiting for them in the book.
So now I need to remember that—and use it to get past this horrible perfectionism that still ties me up when I’m working on a cover.
Finally, yes, I’m still off coffee and tea. But something’s got my brain working overtime, because I woke up at 2 am and couldn’t go back to sleep because of too much brain activity. Or maybe it’s the time change still screwing with me. Who knows? The end result is that I’m exhausted today and have a headache from a sleepless night, and I don’t really care why. I was miserable from 2 to 6.
Tuesday’s session log
My pace was down and I can’t really explain why, but I’m hoping I’ll do a bit better today. It’s 12:04 pm, though, and I haven’t even looked at my book this morning, so we’ll see.
Believe it or not, I’m making fewer typos than usual, despite the lack of sleep, and my words are flowing nice and fast.
It might be a good day to write, in spite of everything. :D